Exhibitions on loan

Adjacent Solitude by André Clemetsen is the first series available for exhibition at your venue. Each of its 26 panels brings together a photograph, a poem and a scientific finding.

Panels

Photographs, poem and science on one panel

Each panel is a single print of 100 × 100 cm. It hangs on two hooks or stands on an easel.

  1. Concrete Human

    Adjacent Solitude

    André Clemetsen

    André Clemetsen photographed people who live among others and are lonely anyway. Each work is one or two photographs and a poem he wrote for it. Under the poem hangs one research finding on health in the built environment, with the study it comes from.

    1The title panel
  2. Concrete Human

    André Clemetsen

    More than just a human being

    I am more than just a human being

    wandering around without feeling that I am living a complete life.

    My breath does not receive enough oxygen to feel that love flows in the blood and runs like a society through all my veins.

    Street trees in London are counted per kilometre of street, and the count varies a lot from one borough to the next. The public health researcher Mark S. Taylor and colleagues set those counts against the antidepressants prescribed in each borough. One more tree per kilometre came with 1.18 fewer prescriptions per thousand residents. Every tree in the count stands at a kerb, in front of a house or a shop.

    Mark S. Taylor and others, Landscape and Urban Planning, 2015

    doi.org/10.1016/j.landurbplan.2014.12.005

    2More than just a human being
  3. Concrete Human

    André Clemetsen

    The prison I made myself

    I brush my teeth and refuse to look at my reflection as a grown woman – because I know my tears will run like a river

    for all that was lost, which I carried with me from childhood – and which became my lifeline. I will never leave the prison I have always created for myself.

    In the spring of 2020, researchers on four long-running studies in Denmark, France and the UK put the same questions about housing and state of mind to 69,136 people they had been following for years. The epidemiologist Amélie Keller and colleagues pooled the four sets of answers and looked at who said they were lonely. People living alone said so at three times the odds of people living with others.

    Amélie Keller and others, Scientific Reports, 2022

    doi.org/10.1038/s41598-022-09316-4

    3The prison I made myself
  4. Concrete Human

    André Clemetsen

    The gutter was my playground

    The gutter was my playground and gave me a view over a neighbourhood that never carried hope in its eyes.

    We lived between old timber and concrete blocks that felt like a war that was never won.

    In 36 Barcelona schools, the parents of 2,111 children reported how much time each child spent playing in green space, and parents and teachers scored the same children's behaviour. The environmental epidemiologist Elmira Amoly and colleagues set the two against each other. The children who played out about an hour and a half more a day scored 8.2% lower for emotional symptoms and 15.4% lower for trouble with other children.

    Elmira Amoly and others, Environmental Health Perspectives, 2014

    doi.org/10.1289/ehp.1408215

    4The gutter was my playground
  5. Concrete Human

    André Clemetsen

    The summer that never shines

    We wait for the summer that never shines between the streets we never escape from.

    Loneliness is a prison not even God can open the gate to.

    756 people carried an app that asked them at random moments how crowded the place around them felt and whether they felt lonely. Between April 2018 and March 2020 they answered 16,602 times. The mental health researcher Ryan Hammoud and colleagues found people about 40% more likely to feel lonely at a moment when the place felt crowded. When they felt part of what was going on, the odds ran about a fifth lower.

    Ryan Hammoud and others, Scientific Reports, 2021

    doi.org/10.1038/s41598-021-03398-2

    5The summer that never shines
  6. Concrete Human

    André Clemetsen

    My legs are so tired

    My legs are so tired that not even a pea beneath ten mattresses can awaken me to life

    The environmental design researcher Xiaorui Wang and colleagues measured how far the buildings close a street in, then asked 1,089 adults aged 40 to 59, all living on the third floor or below, how they slept. Where the street was more closed in, they slept longer, lay awake less and said they felt safer. Where a street scored well for walking, the same people slept less and felt less safe.

    Xiaorui Wang and others, Building and Environment, 2026

    doi.org/10.1016/j.buildenv.2026.114711

    6My legs are so tired
  7. Concrete Human

    André Clemetsen

    An open circus

    The city is an open circus if you dare to see the humor in those you pass. And nothing is better than turning cartwheels on the way to work.

    In 2022, the criminologist Renee Zahnow and the co-author Jonathan Corcoran stopped 278 residents of Brisbane in parks, transit stations, shops and thoroughfares. They asked them about familiar strangers: the faces a person sees there again and again and knows only by sight. They set those encounters against how strongly each person felt they belonged. A sense of belonging grew out of these encounters, in places outside the person's own neighbourhood.

    Renee Zahnow and Jonathan Corcoran, Urban Studies, 2024

    doi.org/10.1177/00420980241265033

    7An open circus
  8. Concrete Human

    André Clemetsen

    The last ghost in our city

    I am the last ghost in our city. Not even the church bells can be heard

    beneath the thick fog of loneliness the entire housing block carries on its back.

    Denmark keeps a patient register, a prescription register and a building register, and the three can be read together person by person. The public health researcher Anne Marie Kirkegaard and colleagues did that for 14,387 people between 2000 and 2018. People in rented flats were treated for depression 1.32 times as often as people who owned a detached house, and people in rented terrace houses 1.23 times as often. Indoor annoyances account for 11% of that gap and loneliness for 8%.

    Anne Marie Kirkegaard and others, BMC Public Health, 2025

    doi.org/10.1186/s12889-025-22473-1

    8The last ghost in our city
  9. Concrete Human

    André Clemetsen

    Even the darkest room

    The unbearable existence of never fitting in – even though all my life I have forced my way forward, even where the abandoned were never given space –

    gives me the feeling that in the end even the darkest room will give me light.

    Green space does more for the health of people with less money. The urban planner Alessandro Rigolon and colleagues went through 90 studies and sorted 85 of them by the income of the people in them. Across the 36 comparisons that looked at public parks the gap was nearly three times what it was across the 78 that looked at greenery in general.

    Alessandro Rigolon and others, IJERPH, 2021

    doi.org/10.3390/ijerph18052563

    9Even the darkest room
  10. Concrete Human

    André Clemetsen

    Life will never be a circus

    I have seen death more than once and fought my way through to keep my place in the flock. Even with ten knives in my heart,

    balancing like a juggler – life will never be a circus.

    At one Pennsylvania hospital between 1972 and 1981, patients recovering from gallbladder surgery were put in whichever room was free. That makes the window a matter of chance. The geographer Roger S. Ulrich went through ten years of those records and found 23 patients whose window faced a stand of trees and 23 whose window faced a brick wall. The tree group left sooner, took fewer strong painkillers and drew fewer negative remarks in the nurses' notes.

    Roger S. Ulrich, Science, 1984

    doi.org/10.1126/science.6143402

    10Life will never be a circus
  11. Concrete Human

    André Clemetsen

    The trees showed joy

    Once we were a pulsing city, and even at the darkest hour of autumn we could see the trees show joy.

    The ecologist Daniel T. C. Cox and colleagues tested five features of a neighbourhood's nature against depression, anxiety and stress among the residents. Two came through: how much vegetation stands there, and how many birds are about in the afternoon, when the residents are about too. Both worked as thresholds. Depression was lower above roughly 20% vegetation cover, anxiety above 30%.

    Daniel T. C. Cox and others, BioScience, 2016

    doi.org/10.1093/biosci/biw173

    11The trees showed joy
  12. Concrete Human

    André Clemetsen

    At home in my city

    I feel at home in my city. In the time before winter settles like a quiet desert landscape over the rooftops.

    The autumn air, the frost on the grass – small signs of something larger. And out there, above the city, the view opens toward the future.

    35,005 people living in Norway answered a survey on how strongly they felt they belonged where they live. The same survey asked how much meaning they found in their lives. The outdoor education researcher Raúl Grau Ruiz and the co-author Helga Synnevåg Løvoll set the answers against the outdoor spaces near each home. A recreation area within 200 metres of home and a hiking area within 500 metres both went with a stronger sense of belonging and more meaning in life. The recreation area went with them more strongly.

    Raúl Grau Ruiz and Helga Synnevåg Løvoll, Journal of Adventure Education & Outdoor Learning, 2024

    doi.org/10.1080/14729679.2024.2412081

    12At home in my city
  13. Concrete Human

    André Clemetsen

    The sea gives me dreams

    The sea gives me dreams I could never see through the eyes of a neglected child.

    The parents of 2,111 Barcelona schoolchildren were asked how many days in the year the family went to the beach. The environmental epidemiologist Elmira Amoly and colleagues set those days against the behaviour scores the parents and teachers had given the same children. The children who went about one day more every ten scored 3.9% lower for total difficulties and 16.8% lower for trouble with other children.

    Elmira Amoly and others, Environmental Health Perspectives, 2014

    doi.org/10.1289/ehp.1408215

    13The sea gives me dreams
  14. Concrete Human

    André Clemetsen

    A loneliness without colour

    My mother came from the countryside and spent my entire childhood speaking of how beautiful it was.

    Even though her own life became a loneliness without colour.

    3,043 Australians were asked about loneliness in October 2020 and again sixteen months later. The population health researchers Thomas Astell-Burt and Xiaoqi Feng tracked who stopped being lonely and how many hours a week each of them spent in nature. Of those lonely at the start, 29.4% were no longer lonely at the end. Among those whose loneliness was the sort a person feels even in company, 41.2% were, and three to four hours a week in nature went with that relief.

    Thomas Astell-Burt and others, Environmental Research, 2024

    doi.org/10.1016/j.envres.2024.120016

    14A loneliness without colour
  15. Concrete Human

    André Clemetsen

    A life of rehearsal

    As a ballet dancer I dreamed of a grandfather who could carry me on his back

    after training – so my toes could rest from a life of rehearsal.

    25 adults spent 90 minutes in a forest and, on another day, 90 minutes in an industrial environment, then pedalled to exhaustion in a laboratory after each. The human evolutionary physiologist Daniel Longman and colleagues ran the two in random order. They lasted 14.6 minutes after the forest and 13.5 after the industrial site, and their mood and their rated effort moved the same way.

    Daniel P. Longman and others, American Journal of Biological Anthropology, 2026

    doi.org/10.1002/ajpa.70270

    15A life of rehearsal
  16. Concrete Human

    André Clemetsen

    Do not leave me where I lie

    Do not leave me where I lie watching the colours of the sky's wide brim

    1,516 people answered the same questions about their mood, their depression and a recent blow in their lives. The environmental psychologist Melissa R. Marselle and colleagues compared the 1,081 who walked with a nature group, 631 of them every week, against the 435 who did not. Walking with the group lifted their mood by more than the recent blow had lowered it.

    Melissa R. Marselle and others, IJERPH, 2019

    doi.org/10.3390/ijerph16060986

    16Do not leave me where I lie
  17. Concrete Human

    André Clemetsen

    A mountain no wind can move

    Grief is a mountain no wind can move – a darkness in the depths of the unknown.

    213 adults watched a one-minute video every day for a week: 108 of them overwhelming landscape, 105 of them ordinary greenery. The clinical psychologist Liesbeth Bogaert and colleagues measured circling thoughts, the damping of good feelings and plain happiness, before, straight after and a week later. Both groups improved on all three measures. One minute of ordinary greenery a day did as much as one minute of overwhelming landscape.

    Liesbeth Bogaert and others, Applied Psychology: Health and Well-Being, 2024

    doi.org/10.1111/aphw.12578

    17A mountain no wind can move
  18. Concrete Human

    André Clemetsen

    The trees along the river

    Nothing compares to the trees along the city's river, whispering quiet words of love.

    There, I believe everyone feels held and cared for – even if yesterday was heavy with darkness.

    For a fortnight, a smartphone app asked 299 people three times a day how they were, and they answered 7,975 times in all. 87 of them had a diagnosis of mental illness. The mental health researcher Nicol Bergou and colleagues compared the answers given within 24 hours of a visit to a canal or river with the rest. After a visit, people scored 1.35 points higher for wellbeing, on a scale from 10 for the lowest to 50 for the highest, before any adjustment. Time by a canal or river went with higher wellbeing than time in a green space. The link held for people with a diagnosis and for people without one.

    Nicol Bergou and others, PLoS ONE, 2022

    doi.org/10.1371/journal.pone.0271306

    18The trees along the river
  19. Concrete Human

    André Clemetsen

    To change one's gaze

    I am afraid – even though I have not yet lived long enough to know that possibilities are not created by dreams,

    but by the power of working to change one's gaze into something else.

    Twelve controlled experiments have put children and teenagers in front of nature and then measured how they think. The psychologist Dianne Vella-Brodrick and Krystyna Gilowska went through all twelve, covering ages 5 to 18, and rated ten of them as sound. Across those ten the children got better at holding one thing in view and letting the rest go, which is what psychologists call selective attention.

    Dianne Vella-Brodrick and Krystyna Gilowska, Educational Psychology Review, 2022

    doi.org/10.1007/s10648-022-09658-5

    19To change one's gaze
  20. Concrete Human

    André Clemetsen

    The city is colourblind

    The city is colourblind and lives outside the entrance of an abandoned woman who never found another love.

    Between 1895 and 2022, 132 peer-reviewed articles put colours against emotions, covering 42,266 people in 64 countries. The psychologists Domicelė Jonauskaitė and Christine Mohr brought all 132 together. Light colours went with the good feelings and dark ones with the bad. How light a colour is and how saturated it is count for as much as the hue itself.

    Domicelė Jonauskaitė and Christine Mohr, Psychonomic Bulletin & Review, 2025

    doi.org/10.3758/s13423-024-02615-z

    20The city is colourblind
  21. Concrete Human

    André Clemetsen

    Rain is the only mirror

    They call my neighbourhood "hard asphalt" – and say that rain is the only mirror that makes the people here beautiful.

    Barcelona's Eixos Verds plan would turn one street in every three into a green corridor, and the first phase is built, most of it in the Eixample. The urban health researcher Tamara Iungman and colleagues ran the finished plan through a health impact assessment. It would prevent 183 premature deaths a year, 178 of them through the green itself and 5 through the cooling.

    Tamara Iungman and others, Environment International, 2025

    doi.org/10.1016/j.envint.2025.109313

    21Rain is the only mirror
  22. Concrete Human

    André Clemetsen

    I will not surrender my origin

    We are divided by the betrayal you promised would never separate us from what we vowed. But never will I surrender my origin

    or the self-image I forged through the pain you let slip from your hands one summer night.

    The public health researcher Emily J. Rugel and colleagues scored every address in metropolitan Vancouver for natural space, then asked the people living there how they were. Where the share of natural space within 500 metres rose by one point, people were about 5% more likely to say they felt a very strong sense of belonging to their community. Those who felt it scored better on every mental health measure the study recorded.

    Emily J. Rugel and others, Environmental Research, 2019

    doi.org/10.1016/j.envres.2019.01.034

    22I will not surrender my origin
  23. Concrete Human

    André Clemetsen

    Split in two

    You split me in two with your confused mind, where you hated everything about yourself.

    I had to divide the thought in two in order to become whole again.

    Roughly 160,000 residential buildings in Cologne were modelled for what their windows look out on. The urban planning researcher Anna-Maria Bolte and colleagues then asked who lives behind them. Children and older people had slightly more green in view than the city average. Across the districts the green in a window runs from about a tenth of the view to nearly half.

    Anna-Maria Bolte and others, Journal of Geovisualization and Spatial Analysis, 2025

    doi.org/10.1007/s41651-025-00214-7

    23Split in two
  24. Concrete Human

    André Clemetsen

    Madness is beautiful

    Madness is beautiful when the nearest city park lets you dance all night.

    Nature as a treatment for people with a diagnosed mental disorder has been tested in 20 randomised trials, 1,299 patients between them. The public health researcher Sarah Blakeslee and colleagues gathered every one of them for the WHO and pooled the 12 that were close enough in shape. Depressive symptoms and anxiety both came down, anxiety the further of the two.

    Sarah Blakeslee and others, Journal of Environmental Psychology, 2026

    doi.org/10.1016/j.jenvp.2026.102919

    24Madness is beautiful
  25. Concrete Human

    André Clemetsen

    A fistful of dollars

    You sold my soul for a fistful of dollars – and let my reflection become an illusion.

    A Dutch municipality moved 70% of its workforce into a building designed around health and left the rest where they were. The move split the staff into two groups without anyone planning a study. The economist Juan Palacios and colleagues surveyed the whole workforce before and after. Sick building syndrome symptoms among those who moved fell by 42%, and sick leave by 2%.

    Juan Palacios and others, PLoS ONE, 2020

    doi.org/10.1371/journal.pone.0236029

    25A fistful of dollars
  26. Concrete Human

    André Clemetsen

    The city faces the storm

    The city faces the storm and survives the sorrows those in power handed us for fifty years.

    Satellite images at 10-metre resolution show how much vegetation stands within 300 metres of every home in Italy, across 7,904 municipalities and 49 million adults. The epidemiologist Orazio Valerio Giannico and colleagues used them to ask what would follow if the whole country were as green as its greenest quarter already is. 28,433 deaths a year would be prevented and 279,324 years of life saved. That is about 5% of the country's mortality burden.

    Orazio Valerio Giannico and others, Nature Communications, 2024

    doi.org/10.1038/s41467-024-54388-7

    26The city faces the storm
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Details

The exhibition in brief

Technical specification

Panels
26 panels of 100 × 100 cm, one for each work and one title panel. The 39 photographs are printed in their original format.
Production
Printed on 5 mm lightweight board, with a frame on the back for hanging.
Weight
5 kg per panel, 130 kg in total.
Hanging
Two eyelets on the back and two hooks per panel.
Space needed
At least 36 running metres, with 40 cm between the panels, along a wall or free-standing in the room.

Your venue

Transport
Collection and return by a freight company you appoint.
Insurance
From collection to return, at a replacement value of EUR 15,000 for the complete set.
Installation
Hanging and taking down, by your own staff or a company you appoint.
Light
Standard gallery lighting. There is no lux limit.

Hanging

Height
145 cm from the floor to the centre of each panel.
Spacing
At least 40 cm between the panels.
Order
In the order of the series.
Wall labels
Not needed. The text is printed on each panel.
The title panel
At the entrance, before the first work.
Instructions
Included.

Loan terms

Run
By arrangement, from a few days to several weeks.
Lead time
By arrangement.
Fee
On request.
Indoor and outdoor
For indoor use, without climate control. Outdoor use on request.
Condition report
Signed on arrival and again on despatch.
Damage
Photographed and reported to us on the same day. We replace the panel at the cost of your insurance.
Press images
Photographs and text to announce the exhibition, with the photographer's name.
Enquiry

Request an offer

Write to us with the space you have, the period you want the exhibition for and a contact person. We will prepare an offer for your individual venue.

partner@concretehuman.com